Friday, March 9, 2012

The Insistent Friend/The Ten Bridesmaids - Level II

The Insistent Friend (The Sacrament Retreat presentation)

  As we begin our discussion, I first ask, "Do you know what Insistent means?"  It's the same as being persistent.  You are being persistent when you keep asking your mother over and over for something you want.  "Mom, I want to go to the movies, please?"  She may say you are being a pest. That's what persistent means.  Well, God wants us to be persistent in our prayer always.  He doesn't mind but he might take time to answer and we have to be patient.  So keep this in mind as we listen to the story.

The background information I review with the children once again on how the people traveled at night back 2,000 years ago and so it wouldn't be out of the ordinary for a person to knock on your door to ask for food or shelter.   So this traveler knocks on the door but the man invites him in but has no food.  He goes to his neighbor's house to ask him for food and the man says his family is sleeping and doesn't want to be disturbed.  (Now I light the candle and read the Scripture.)

"Who knows the story of the Good Shepherd?"  My children always do because I refer to this story all year by asking, "Who is Jesus in this story?"  "Who are the Sheep?"  "What is the Sheepfold?"  It's the first Bible Story I read so I can have this advantage to explain parables.  I refresh their memory and it helps the others to understand.  I tell them that I'm going to ask the same question for this story and there are no wrong answers because every time you read a Bible Story something new is learned  that you never thought of before.  That is the beauty of the Bible.  No wonder these stories are so wonderful after thousands of years.  So when I ask, "Who is Jesus in this story?" I never know what they are going to say.  This year most thought it was the stranger.  So when they choose him, I show them a picture I have of Jesus knocking on the door.   I tell them that this shows Jesus knocking on the door of our hearts wanting us to love Him and pray to Him.  So that could very well be Jesus, I tell them.  Then another child says it's the man who opens the door and goes to the neighbor to ask him for food.  Then I tell them about something only Catholics do, which is "Intercessory Prayer."  That is when we pray to Mary or the Saints to go to Jesus and ask Him for help.  So this gives an opportunity to discuss prayer at length.  Finally someone chooses the neighbor who didn't want to be disturbed and seemed annoyed.   Well, I tell them that this is truly Jesus in the story because Jesus tells us in His parable that "Truly I tell you, that if the person doesn't answer him because of their friendship, he will certainly answer because of his persistence."  So the lesson here is that God will eventually answer your prayers if you just keep praying.  Never give up He's telling us.

Now I ask them who has the Maxim which applies to this story?  There are two maxims which apply perfectly and they are: "Ask and you will receive; Seek and you will find; Knock and the door will be opened unto you."  The second Maxim which applies is: "When you pray, go to your inner room, shut the door, and pray to your Father in Secret."  However, if any other children volunteer their Maxim I still accept it and explain it so that they understand the meaning.

The Materials:  My husband made the buildings on all of these parables and I stained them, also painting the figures and I made the Scripture booklets.  He made a decision on his own to open the door to the outside when it is actually supposed be like the door on the left, however now I can't use the rug in that room as the door won't open with the rug in the way.   So we may have to change that later.  The small rugs are actually small pouches from Indonesia which I cut in half.  The parable speaks to being "insistent" in prayer.  It also addresses "intercessory prayer" - praying for others or through others, such as the Blessed Mother and the saints.  I am always in awe along with the children at these messages coming directly from Jesus, himself, in such a personal way.


The Ten Bridesmaids, or "The Wise and Foolish Virgins."   The manual suggested painting an oil lamp on the top of the box.  I suppose this is to distinguish it from The Wedding Feast.  I also followed directions on what colors to use.  The same wedding banquet hall is used for both parables.  


I tell the children how the bridegroom would be walking most of the night to come to the wedding and it was the tradition that the bridesmaids would wait for him at night until he got there.  They feel asleep and half of them had their oil lamps go out and had to go to the store to get more oil.  But when got back the Bridegroom barred the door and only the bridesmaids that planned ahead with their extra oil pouches got into the wedding feast.

This parable is beautiful and hence makes it very clear that we need to be prepared and alert for His coming.  Don't wait until the last minute it teaches.  When my class heard this parable, one boy started squirming in his seat and his face was contorted in misery.  I asked him what was wrong.  He said, "Oh no, I do this all the time.  I always wait until the last minute for everything!"  So funny how these Bible stories really do speak to the children.

Wednesday, January 4, 2012

Liturgical Calendar

    
 2018 Revision

This photo is the corrected version of my Liturgical Calendar since writing this article five years ago.  Big difference and I like it so much more now.  It's much easier for the children.
I glued a very small shint of wood on the board to separate the large arcs separating "The Christmas Cycle" from the "Easter Cycle"  Where you see the "1st Sunday of the year" is where it's placed.  It's so helpful to the children so they understand the calendar.  Also, underneath the arrows I've painted the colors you see in the control above the calendar.  

   To present this work, I use plastic food storage containers and I'll ask each child to take out a certain number of green prisms making sure there are some for each child to place in their container.  I explain that the Calendar represents the Sundays we go to mass and explain the colors.  Then I have each child place their prisms back on the calendar.  This gives them the practice to do the work.  The containers make all the difference for efficiency and so they use them while they do this work independently.   I find that even Level I will try to do this with the containers while working alone.  Otherwise it's confusing and very awkward. 

There is also an artwork drawing of the calendar that they can color we keep under the table.  I have found that this year 2019 there are eight more "Ordinary time" (green) weeks before the "Preparation time" (purple) before Easter.  It apparently changes from year to year and this year it happens to be eight.  This was the direction we received to make this liturgical calendar to make only five.  I believe that I've seen there are a few more "Ordinary time" (green) weeks in the Easter Cycle as well.  I was disappointed when we realized this because it was so much work for my husband.  It isn't an easy project to make.  However, it gives the basic idea to the children.  I like to show them which green week we're on as we approach Lent and point to it as it is to the right of our prayer table.

I stained the entire project with an oak stain before painting the colors.  If you take the colored prisms out of the puzzle, it looks identical to the control calendar in the lid.

Monday, December 12, 2011

Topographical Map

The Topo map, as it is called in the Atrium, depicts three important times and places in Jesus' life.  The first is when the Angel Gabriel announces to Mary in Nazareth that she is to be the mother of God.  The symbol of a flame representing the Holy Spirit is glued on the control chart in Nazareth.   The second moment is Jesus' birth.  The children learn that Bethlehem was in a mountainous area and the Holy Family needed to climb from Nazareth to Bethlehem, a hard journey on foot.  A star is used for the birth and glued on Bethlehem.  The last is the place Jesus dies in Jerusalem shown as a cross.  These symbols are made of leather and painted. Sculpy clay or foam board would have been a good choice as well.  Also, a good map showing these various regions was needed as a model for accuracy.  Of course, the elevations are guessed at but the children like to feel it and think about it, which helps with their meditation.

There are corresponding stick pins with these same symbols in the small box to the left in the picture.  The children take the pins, which are paper clips and stick them in the holes for the correct city to match the important event.  The holes were made with a drill using a very small bit.

This map represents an ancient map of Israel and surrounding areas.  However, the children are fascinated by the mountains and the bodies of water.  They learn that the Dead Sea, the Jordan River and the Sea of Galilee are all places where Our Lord preached as an adult and where he spent most of His life.  The Mediterranean Sea is the large body of water you see.

To create this work I found a large tray at Walmart and turned it upside down as I wanted the deeper side to create the mountains and to frame the map.  I used joint compound which I bought at Ace Hardware.  It's a pretty pastey material but I formed the mountains with it and it dried hard after five hours or so.  I let it sit all night to make sure all the moisture was gone before I began painting.

 I used poster board to create the control map and painted it to match the topo map inside the lid my husband made for me.  He actually covered it in leather and engraved "The Holy Land" on top.   This is usually presented right before the Nativity Narratives and the children really like it and go back to it again and again.

Sunday, December 4, 2011

Presentation in the Temple

I really enjoyed working with this one.  I kept it pretty simple.  The hardest part was to cut the arches out with the jig saw.  I found the molding for the top and sides of the arches at Michaels and glued them on, then painted them.  I wanted the floor to look marble or granite and so used different colors mixed together.  So it was a very simple design but does the job.  I had seen where someone had made a tiny crochet basket for their doves.  My husband made this cute little dove cage with wire.  He really gets into the detail.  It makes it so much fun sharing and doing these projects with someone.  I made the doves along with the four figures out of Sculpy clay from Walmart.  I had done the same with the Baby Jesus but it got so dirty from the children's loving hands that someone replaced it with this plastic one from the Autom catalog.  I've painted it and it looks like the other figures now.   So much nicer and the perfect size and fit.
 
Noami Sogan, another catechist made this beautiful temple.  Would you believe that she got her pillar columns at the cake section in Joannes! We use her temple in our atrium because it is deinitely the nicest I've ever seen.

Tuesday, November 29, 2011

City of Jerusalem - Twelve Gates to the City

Today I thought I'd give an overview of the City of Jerusalem.  I took plenty of photos during the training in Gilbert and I will display those photos as well as the three maps I put together.   One is a control map and the other two are mute (without labels).  It's nice to have it this way because when you are demonstrating how to use it, you take the buildings from the mute map on the left and place them on the mute map to the right.  The children can leave it out when finished so that the next child can move it back again to the left.
 To do the City, I bought children's building blocks from Sears.  I thought the finish and color was pretty and light.  I used a jig saw to cut some of these small blocks in half and then glued them to others with wood glue.  I learned that you have to go very very slowly while cutting in half, otherwise the wood goes out of control and can be dangerous.  My husband bought me a little Drummel drill with different bits.  It's small and fun to use - a real ladies' tool.  Dentists use it as well, so you know it is used for tedious small areas.  I used the Drummel drill to make groves on top of the castle and walls to look like the parapets in the photographs I found.  The Drummel helped to make windows, stairs. and the opening of the tomb also.  I Googled the City of Jerusalem and discovered that there are photographs of a miniature city in Jerusalem showing what it looked like in Jesus' time.  I was amazed how beautiful, lavish, and white it was with golden trim.

I used foam board which I bought at the dollar store and Staples for the map.  I also got the yellow poster paper from Staples to trace the buildings for the map.  I then cut out the shapes from the poster paper and glued them on to the foam board.  I did the roads and waterways first.   I would suggest using a paintbrush and paint to make the roads on the foam board.  I used felt tip for the blue waterway and was sorry later because it didn't stand out as brightly as the paint.

Researching photos online of Jerusalem were very helpful to me.  I did a lot of research as well about the pools and the ancient staircase leading from the lower city to the upper city.  I made a book on this information which has been very useful in my understanding and so I found I could explain things much more interestingly to the children.  So I strongly suggest you do a lot of reading when doing this work.  That's the joy of this work, you learn as you prepare the materials to teach.

   
     I bought heavy plastic at Walmart to cover the maps to protect them from damage.  I taped them tight on the other side.  They've held up well over the years without any fingerprints.



This is St. Patrick's  City of Jerusalem in Tucson.  As you can see from the three different versions of the City, there are subtle differences.  For example, St. Anne's uses poster board paper as does St. Patrick's for the maps.  I used foam board.  I like the fact that you can lift it up with some of the pieces intact in case you have to move it around the room.  St. Anne's City is smaller than mine and St. Patrick's is larger.

St. Anne's uses two small desks.  St. Patrick's uses a larger table for display and I used a table the size of the foam board and made a smaller table to fit underneath for when we weren't using the City.
I bought the squared legs from Lowe's and Home Depot and had them cut to the height I wanted.



(At right  St. Anne's City of Jerusalem)
    Finally, below I am attaching a closeup so you can see ours at St. Andrews in detail.  For the tomb, I glued four blocks together.  One was a half circle.  With the Drummel, I drilled a hole in the front and made the surface very uneven to create a hilly look.   I wanted very little color and only painted the pools, blue; the top of Herod's Palace, gold along with the golden doors; and the trees, green.  My husband did the trees and the stair steps for me.  I've never been able to gain that much control with the Drummel.  I suppose if it had been left up to me to do them, I would have resorted to the Sculpy Clay for the trees, and left the stairs straight and drawn lines.  The children really enjoy this work.

Friday, November 25, 2011

The Cenacle or Upper Room

The Last Supper at the Cenacle

As I stated previously in my first posting, the most important tools to have are "liquid nails" and a friendly hardware store where they sell small pieces of wood or have personnel who will cut the wood you buy at their store to fit your specifications.

This Cenacle was made by my husband.  If you have one of those handy types, then you are very blessed as I am.  If you don't, you can find a drawer like the one pictured below.  This can be found at a used or antique furniture store.  I stained ours and painted the menorah, a Jewish candelabra, to represent Passover, the Jewish feast that was celebrated there.  I painted with a varnish over the entire piece.  The wooden floor and three walls with a door are a separate piece from the drawer.  It is smaller in length and width than the drawer.  (I need to point out that I designed it this way so I could move the figures around it and behind it when Jesus and the Apostles leave to pray in the Garden.  This separate room can be made with the liquid nails as described in my first posting.)  The arch with the menorah can be slid off and reversed.  This reversed side is used in Level II for the Origin of the Eucharist.  It consists of two small arch shapes with a piece of wood glued between them to separate them and sits on the back wall of the Cenacle.  The reverse side is painted like the altar of our parish church or a photograph can be glued there of your parish altar.  It is supposed to represent an early church sanctuary.

Now I'd like to address the figures you see in these photos below of Jesus and the Apostles.  I made them with "Sculpy" clay which I bought at Walmart.  After you form your pieces, they will need to be baked at 275 degrees for 3/4ths of an hour for 3/4ths of an inch.  So that is 15 minutes for every 1/4 inch of thickness.  Then you let them cool down before painting.

The benefits of making them yourself is that it doesn't cost that much.   To buy each figure online is very very expensive.  Go online and price them to see for yourself.   Believe me, it's worth trying.  I tried to fashion mine after these online pieces.  I downloaded photographs of them.  I made a lot of mistakes and improved with the practice and keep finding better ways to do it always wanting to improve.  I used a water base Acrylic Stain.  I tried to stay with brown earth tones.  These paints I bought at a ceramic store and had a large collection of them from doing ceramics over the years.  However, you can get Acrylic paints at Walmart, online or at most hardware stores.


One mistake I'd like to point out.

I lined the drawers with a soft felt and then sprayed a matt finish over all the figures to protect the paint.  Although this makes the colors much richer, I would suggest not doing this because the figures became sticky from the heat during the summer.  The felt started adhering to the figures and the oil from the children's hands began smudging them as well.  So I would suggest not spraying.

The benefit of these baked figures, however, is that they can be dropped on a hard surface floor and will not break or chip.  They are tougher than resin figures and less expensive.

Steps in making the figures:  It takes me a few days to make three figures.  I usually do three at a time.  First I make the basic figure which is a a head with a body.  I shape the face.  Then separately I make the arms, nose, beard, head pieces and outer garments which I then add to the figures smoothing each one of them onto the main body.  After the nose is added and smoothed onto the face, I take a curved, pointed instrument I bought at a ceramic shop to make the eyes and mouth.  It's called a cleanup tool and it's an indispensable tool to use for this project.  You can probably buy one at Michaels if you don't have a ceramic store near you.  I also draw lines in the beards with this tool to give them texture as well as some of the outer garments.  I paint the larger areas first and set them aside to dry.  The next day I paint the faces.  It may take me a third day if my finger prints have smeared the paint.  Usually last minute touch ups are necessary. 
I learned from the first figures I made that I was not good at making eyes.  So you can see that I  simplfied this problem by having the eyes closed or half closed in prayer.

Also, this job could have been much simpler had I not painted the clothing different colors.  I could have used one color in different shades and perhaps added sand to the paint to give it texture.  That's something I haven't tried yet, but I'm planning to make that my next experiment in painting them.


 I really had problems making the noses at first.   Then I discovered that if I form a small ball of clay,  then place it on the face, smoothing it out in all directions, I could then shape it anyway I wanted.  So have fun with it.

The children love the Cenacle.  I would say that it is their favorite material.  This material really helps them with their understanding of the Last Supper and the Passion.  It is well worth the time spent making it.
These figures were by far my favorite to make.  They look like little monks.  I'd never done anything like this before and so I guess the old adage is true, "You don't know until you've tried it."

Wednesday, November 23, 2011

The Visitation, Adoration of the Magi

     The Visitation house is shown here with a courtyard and room separated by a door.   I've also seen it as just one room with a door.  It can be very simple.
The same principles apply as the Annunciation house for building with liquid nails and using paint mixed with dirt for the stucco look.  I painted the courtyard brown and glued rocks outside as well as ivy I found at Walmart.




The rug you see here is simply a piece of burlap and I've frayed the edges.






     Here is Elizabeth with child and Mary in her traveling outfit.  These were the first figures I made in 2006 and I scrubbed these with the fingernail brush and soap, then touched them up with some paint.  They look like new again.  At that time I could not bring myself to make the Blessed Mother's face.  I knew that no matter what I did, I wouldn't be satisfied.  So I didn't make her a nose; I drew it on.  Later, in the  Presentation in the Temple, I did make her nose and face, etching in the eyes and mouth with a ceramic cleaning tool that has a sharp edge.
     In the house for the Adoration of the Magi there is one room with a side entrance.   The resin figures were Christmas ornaments I found and the small containers are pill boxes.  Each pill box is filled with something to resemble the gifts.  For example, I glued tiny rocks in one and painted them gold.  These little details help the children to think more deeply about what is taking place.